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GALLERIES
THEME GALLERIES
THE ESSENTIALS
- A - Abatti Alexander Alma-Tadema Ancher Asai Chu - B - Backer Bandinni Bartlett Bassano Bazille Beal Bellows Benoist Benson Berckheyde Bernard Beruete Bichall Bierstadt Blarenberghe Boldini Bonnard Borch Bosch Botticelli Bouguereau Braun Breck Brett Bricher Brouwer Brown Bruce Bruegel Bunker Burne-Jones - C - Cabanel Canaletto Caravaggio Cassat Cezanne Chadwick Champaigne Chardin Chase Cherubino Church Claesz Clausen Corot Cozzens Cropsey Cullen Cooper Cuyp - D - David Louis Daubigny Dawson De Witte Degas De Heem De Hooch Delacroix Dewing De La Porte De Morgan De Nittis Dou Durand Durer - E - Eakins El Greco Elgood Enneking Everett Millais Eysen - F - Fabritius Fattory Fitzpatrick Flinck Fox Fra Angelico Fragonard Friedrich Frieseke - G - Garber Gauguin Ghirlandaio Gigante Giorgione Giotto Glackens Godward Gothart Goya Grabar Granet Grimshaw Guzman - H - Hale Hals Harnett Harris Hassam Hemy Hollman Holt Homer Hughes Hunt - I - Inchbold Ingres Inness - J - Jansz Jaede Johnson Jordaens - K - Kalckreuth Kandinsky Kensett Kielland Klee Klimt Konstantinova Korovin Krafft Kroyer Kuindzhi - L - La Farge Larsson La Thangue La Tour Langshaw Lawrence Lawson Le Brun Leighton Le Nain Leonardo Le Sueur Levitan Libermann Lievens Lippi Lorrain Lumis - M - Macs Manet Margetson Magritte Mantegna Matisse McKay Melchers Melendez Metcalf Metsu Michelangelo Miller Millet Mitchell Molenaer Modigliani Mondrian Monet Moore Moran Morisot Morris Muddle Muir Munch Murillo - N - Naojiro Nordstrom - O - Ochtervelt Ostade - P - Palizzi Parrish Parsons Paxton Perugino Petersen Peto Pissarro Pocock Potthast Poussin Prendergast - R - Raphael Regoyos Reid Rembrandt Remington Renault Renoir Richards Riviere Roberts Robinson Rossetti Rousseau Roux Rowe Rubens Russell Ruterdahl Rysselberghe - S - Sandys Sargent Schedone Schjerfbeck Scott Seiki Sernessi Serusier Seurat Sherrin Signac Signorini Sisley Somerscales Sorolla Spada Spiers Steffan Stephens Stoskopff Strachan Streeton Strindberg Stubbs Suzor-Cote - T - Tarbell Teniers Ter Brugghen Thaulow Tiepolo Tissot Titian Toororp Toulouse Tournier Turner Turner Helen Twachtman - U - Ury - V - Valencia Van De Velde Van Dyck Van Gogh Van Mieris Velazquez Vermeer Veronese Von Honthorst Vonnoh Von Weding Verspronck Vuillard - W - Wallis Warren Waterhouse Watson Watteau Watts Weenix Weir Wendel Weyden Whiles White Whittredge Whistler Wilhelmson Wisinger Wylie Ship - Z - Zurbaran
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Canvas Art (Giclee prints & oil reproductions)
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Why canvas art?
Because prints on canvas looks exquisite, beautiful, impressive and elegant. Their "Museum Quality" gives you the prestige of a serious fine art collector. Besides, Canvas Art Prints (giclees) do not need to be framed with protective glass so the image can be seen clearly without bothersome glares. The natural texture of the canvas art gives to the print the exact look and feel of an original oil painting. Also, Canvas Art Prints (giclees) are tougher and far more durable than paper prints.
A giclee print on canvas is your closest option to an original !!!
Canvas is an extremely heavy-duty fabric used for making sails, tents, marquees, and other functions where sturdiness is required. It is also popularly used on fashion handbags.
Canvas as an artistic material
Artists use small (or sometimes much larger) pieces of canvas as a base for their works of art. This canvas art is stretched across a wooden frame called a stretcher, and is coated with gesso before it is to be used (although some modern artists, such as Francis Bacon and Helen Frankenthaler, sometimes paint onto the bare, unprimed canvas). Early canvas art was made of linen, a sturdy brownish fabric of considerable strength. In the early 20th century, cotton came into use. Cotton, which stretches more and has an even mechanical weave, is less preferred than linen by the professional artist. The considerable price difference, however, prompts many beginners, and even mid-level artists, to choose cotton over linen. One can also buy small, pre-prepared canvases which are glued to a cardboard backing in the factory and precoated. However, these are only available in certain sizes, and are not acid-free, so their lifespan is extremely limited. They are usually used for quick studies. Pre-gessoed canvases on stretchers are also available. Professional artists who wish to work on canvas usually prepare their own canvas art in the traditional manner.
One of the most outstanding differences between modern painting techniques and those of the Flemish and Dutch Masters is in the preparation of the canvas art. "Modern" techniques take advantage of both the canvas texture as well as those of the paint itself. A novice artist often finds it nearly impossible to approach the realism of such classic art, despite skill in applying the paint. In fact, Renaissance masters took extreme measures to ensure that none of the texture of the canvas came through. This required a painstaking, months-long process of layering the raw canvas with (usually) lead-white paint, then polishing the surface, and then repeating. The final product had little resemblance to fabric, but instead had a glossy, enamel-like finish. Though this may seem an extreme measure to the modern painter, it is crucial if photographic realism is the end goal.
With a properly prepared canvas art, the painter will find that each subsequent layer of color glides on in a "buttery" manner, and that with the proper consistency of application (fat over lean technique), a painting entirely devoid of brushstrokes can be readily achieved.
From Wikipedia, the free encyclopedia.
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