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GALLERIES

THEME GALLERIES

THE ESSENTIALS



- A -
Abatti
Alexander
Alma-Tadema
Ancher
Asai Chu
- B -
Backer
Bandinni
Bartlett
Bassano
Bazille
Beal
Bellows
Benoist
Benson
Berckheyde
Bernard
Beruete
Bichall
Bierstadt
Blarenberghe
Boldini
Bonnard
Borch
Bosch
Botticelli
Bouguereau
Braun
Breck
Brett
Bricher
Brouwer
Brown
Bruce
Bruegel
Bunker
Burne-Jones
- C -
Cabanel
Canaletto
Caravaggio
Cassat
Cezanne
Chadwick
Champaigne
Chardin
Chase
Cherubino
Church
Claesz
Clausen
Corot
Cozzens
Cropsey
Cullen
Cooper
Cuyp
- D -
David Louis
Daubigny
Dawson
De Witte
Degas
De Heem
De Hooch
Delacroix
Dewing
De La Porte
De Morgan
De Nittis
Dou
Durand
Durer
- E -
Eakins
El Greco
Elgood
Enneking
Everett Millais
Eysen
- F -
Fabritius
Fattory
Fitzpatrick
Flinck
Fox
Fra Angelico
Fragonard
Friedrich
Frieseke
- G -
Garber
Gauguin
Ghirlandaio
Gigante
Giorgione
Giotto
Glackens
Godward
Gothart
Goya
Grabar
Granet
Grimshaw
Guzman
- H -
Hale
Hals
Harnett
Harris
Hassam
Hemy
Hollman
Holt
Homer
Hughes
Hunt
- I -
Inchbold
Ingres
Inness
- J -
Jansz
Jaede
Johnson
Jordaens
- K -
Kalckreuth
Kandinsky
Kensett
Kielland
Klee
Klimt
Konstantinova
Korovin
Krafft
Kroyer
Kuindzhi
- L -
La Farge
Larsson
La Thangue
La Tour
Langshaw
Lawrence
Lawson
Le Brun
Leighton
Le Nain
Leonardo
Le Sueur
Levitan
Libermann
Lievens
Lippi
Lorrain
Lumis
- M -
Macs
Manet
Margetson
Magritte
Mantegna
Matisse
McKay
Melchers
Melendez
Metcalf
Metsu
Michelangelo
Miller
Millet
Mitchell
Molenaer
Modigliani
Mondrian
Monet
Moore
Moran
Morisot
Morris
Muddle
Muir
Munch
Murillo
- N -
Naojiro
Nordstrom
- O -
Ochtervelt
Ostade
- P -
Palizzi
Parrish
Parsons
Paxton
Perugino
Petersen
Peto
Pissarro
Pocock
Potthast
Poussin
Prendergast
- R -
Raphael
Regoyos
Reid
Rembrandt
Remington
Renault
Renoir
Richards
Riviere
Roberts
Robinson
Rossetti
Rousseau
Roux
Rowe
Rubens
Russell
Ruterdahl
Rysselberghe
- S -
Sandys
Sargent
Schedone
Schjerfbeck
Scott
Seiki
Sernessi
Serusier
Seurat
Sherrin
Signac
Signorini
Sisley
Somerscales
Sorolla
Spada
Spiers
Steffan
Stephens
Stoskopff
Strachan
Streeton
Strindberg
Stubbs
Suzor-Cote
- T -
Tarbell
Teniers
Ter Brugghen
Thaulow
Tiepolo
Tissot
Titian
Toororp
Toulouse
Tournier
Turner
Turner Helen
Twachtman
- U -
Ury
- V -
Valencia
Van De Velde
Van Dyck
Van Gogh
Van Mieris
Velazquez
Vermeer
Veronese
Von Honthorst
Vonnoh
Von Weding
Verspronck
Vuillard
- W -
Wallis
Warren
Waterhouse
Watson
Watteau
Watts
Weenix
Weir
Wendel
Weyden
Whiles
White
Whittredge
Whistler
Wilhelmson
Wisinger
Wylie Ship
- Z -
Zurbaran



Canvas Art
(Giclee prints & oil reproductions)


Why canvas art?

Because prints on canvas looks exquisite, beautiful, impressive and elegant. Their "Museum Quality" gives you the prestige of a serious fine art collector. Besides, Canvas Art Prints (giclees) do not need to be framed with protective glass so the image can be seen clearly without bothersome glares. The natural texture of the canvas art gives to the print the exact look and feel of an original oil painting. Also, Canvas Art Prints (giclees) are tougher and far more durable than paper prints.
A giclee print on canvas is your closest option to an original !!!

Canvas is an extremely heavy-duty fabric used for making sails, tents, marquees, and other functions where sturdiness is required. It is also popularly used on fashion handbags.

Canvas as an artistic material

Artists use small (or sometimes much larger) pieces of canvas as a base for their works of art. This canvas art is stretched across a wooden frame called a stretcher, and is coated with gesso before it is to be used (although some modern artists, such as Francis Bacon and Helen Frankenthaler, sometimes paint onto the bare, unprimed canvas). Early canvas art was made of linen, a sturdy brownish fabric of considerable strength. In the early 20th century, cotton came into use. Cotton, which stretches more and has an even mechanical weave, is less preferred than linen by the professional artist. The considerable price difference, however, prompts many beginners, and even mid-level artists, to choose cotton over linen. One can also buy small, pre-prepared canvases which are glued to a cardboard backing in the factory and precoated. However, these are only available in certain sizes, and are not acid-free, so their lifespan is extremely limited. They are usually used for quick studies. Pre-gessoed canvases on stretchers are also available. Professional artists who wish to work on canvas usually prepare their own canvas art in the traditional manner.

One of the most outstanding differences between modern painting techniques and those of the Flemish and Dutch Masters is in the preparation of the canvas art. "Modern" techniques take advantage of both the canvas texture as well as those of the paint itself. A novice artist often finds it nearly impossible to approach the realism of such classic art, despite skill in applying the paint. In fact, Renaissance masters took extreme measures to ensure that none of the texture of the canvas came through. This required a painstaking, months-long process of layering the raw canvas with (usually) lead-white paint, then polishing the surface, and then repeating. The final product had little resemblance to fabric, but instead had a glossy, enamel-like finish. Though this may seem an extreme measure to the modern painter, it is crucial if photographic realism is the end goal.

With a properly prepared canvas art, the painter will find that each subsequent layer of color glides on in a "buttery" manner, and that with the proper consistency of application (fat over lean technique), a painting entirely devoid of brushstrokes can be readily achieved.

From Wikipedia, the free encyclopedia.

Renoir Turner Cezanne

Waterhouse Toulouse Lautrec Cassat

Singer Sargent Degas Leighton

Rubens Klee Matisse

Parrish Leonardo Fragonard

Van Gogh Velazquez Vermeer

Rembrandt


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Prints On Canvas, 14781 Memorial Dr., Office # 1126, Houston, TX 77079, USA
62D Greenmount Dr., East Tamaki, Auckland, New Zealand
e-mail: info@colours-art-publishers.com
Phone: +1 281 968 0804

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